CD YGM-09
Published by Yank Gulch Music
Copyright © 2011. All rights reserved.
1. The sounds in Blur (2007) are strongly contrasted---straight and vibrato tones, noise and pitched sounds, voiced and unvoiced plosive-like sounds. Overlapping of these elements serve to "blur" their contrasts, however, with rhythmic figures marking the overlaps. Opening motives are repeated at the end, but otherwise the music is through-composed. Blur may be regarded as attempting paradoxical clarification of matters unclear or uncertain.
Here is the opening of Blur:
2. grotto (2009) depicts an imaginary scene in which a young boy in a grotto is walking toward the exit. Encountering many unfamiliar phenonmena, he proceeds step-by-step with curiosity, expectation, and anxiety. Contrasts between straight and vibrato tones suggest the atmosphere of the grotto.
Here are the first phrases of grotto:
3. Thinking (2010) employs consonant-like sounds at fast tempos. These sounds, which include glissandi, suggest thought processes that wander from one thing to another. The eight independent voices further enrich the piece's texture and scope.
Here is the beginning of Thinking:
4. aa lava (2009) emphasizes transformations of the motives presented at the opening. Among the parameters transformed are the waveform type, flutter, and vibrato. Repeated transformations depict the movement of lava restlessly flowing out of vocanic erruptions of an Hawaiian crater. The title is a reference to the Hawaiian word for this kind of lava.
Here are the opening sounds of aa lava:
5. In Iolite Turning (2010) the circle of vowel-like colors (more on "color music") provided by the SYNTAL synthesis program is sounded first in whispers. Then the circular motion is repeated at different speeds, dynamics, and tone qualities throughout the piece. The title refers to the popular gemstone, ``iolite'', which reflects different shades of yellow-gray, light blue and blue violet, depending on the angle of regard. Mounted on a chain and turned, the iolite's recycling succession of visual colors is closely mimicked by the circling sound colors of the piece.
This excerpt is about two minutes from the beginning of Iolite Turning:
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